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GREATMORE STUDIOS / BUILDING PROJECT
   

The challenges of space are central to the concerns of democracy. The struggle during apartheid was a struggle for space and the freedom that space allowed. By providing physical and intellectual spaces for artists to freely expand their art practice has made Greatmore Studios a very powerful centre. One of the greatest challenges at Greatmore Studios has been the need to accommodate a larger group of artists. Through efforts to partner with various organisations, Greatmore Studios proposes to develop the existing property, a move that would result in an increased number of studios and dedicated exhibition and workshop space.

 
Greatmore studios Building on success


Greatmore studio booklet

DOWNLOAD BROCHURE PDF (2MB)


DOWNLOAD article in March 07 SA art Times. (1.67MB)


Since its inception Greatmore Studios has remained committed to advancing & developing the art practice of mid-career artists, representing a cross section of the nation’s creative pulse. Many institutions put a necessary emphasis on initiatives that groom a younger generation of artists, leaving limited opportunities for mid-career artists to engage and share ideas. Greatmore Studios has found its particular niche in challenging mature artists to maintain a high level of momentum and professionalism in their practice.

The forced removals that followed the passing of the ‘obnoxious’ Group Areas Act, strategically suppressed and erased Coloured and Black voices from District Six, relegating them to marginal areas in the City. A new dispensation realised in 1994, encouraged the conceptualisation of the city on the basis of multiculturalism. Today Greatmore Studios stands as a locus for cross-fertilisation of artistic practice.

From 1998 Greatmore Studios has welcomed 252 artists- over 180 of whom boast origins from countries around the continent as well as abroad. This unique setup provides South African artists with a rare opportunity to engage in artistic exchange with artists from very different backgrounds. The collaboration that grows out of these encounters often represents a collusion of an indigenous and imported tastes and sensibilities
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As a nexus of contradiction and extremes, Woodstock has become a fertile ground for art making. Although in the past it has been considered ‘unsafe’, a place riddled with crime, this view of has not been the experience of many artists at Greatmore Studios. A site for creative exchange and dialogue between artists and new audiences, Greatmore Studios this year celebrates 10 years of meaningful collaborations within the community. Through an ongoing emphasis to raise art awareness in Cape Town, over 4000 people have been impacted by creative workshops and programmes initiated by artists working at the studios.

Poised to enter a new and exciting phase of expansion, Greatmore Studios is ensuring that all new considerations to its future development align themselves with the original ethos and values of the studios. It is proposed that developments will be staggered in various phases, embracing a green building philosophy. For further information on how you can become a part of this initiative please contact

Dr. Isky Gordon I trustee

I.Gordon@ich.ucl.ac.uk

Jill Trappler I committee member

trappler@telkomsa.net



In June 2007, the artists at Greatmore Studios in conjunction with a small team of architects working in the community successfully constructed an enclosed outdoor sculpture studio. The large enclosed space provides a safe environment for artists resident at the studios to work conceptually, through installation as well as various forms of sculpture to make meaningful.

  Greatmore studios public sculpture studio

The sculpture studio is important as it represents a marriage between artistic and architectural disciplines. Although the walls of the studio appear to reinforce a barrier between the local neighborhood and the artists at the studios, with time it is hoped that as more artists chose to work outdoors, taking their art practice 'outside', more people in the community will be exposed to the visual arts and become interested to participate in ongoing workshops initiated by artists. There is expectation that as artists work in a safe outdoor environment, a greater cohesion with the community will be established.

This project was realised through the generosity of the National Lottery Distribution Fund
 
     
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